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Venice 2013. Lineup

The 70th Venice International Film Festival reveals its lineup.

The Venice International Film Festival has announced the lineup for its 70th edition.


Es-Stouh (Merzak Allouache, Algeria/France)

L'Intrepido (Gianna Amelio, Italy)

Miss Violence (Alexandros Avranas, Greece)

Via Castellana Bandiera (Emma Dante, Italy/Switzerland/France)

Tom à la ferme (Xavier Dolan, Canada/France)

Child of God (James Franco, USA)

Philomena (Stephen Frears, UK)

La Jalousie (Philippe Garrel, France)

The Zero Theorem (Terry Gilliam, UK/USA)

Ana Arabia (Amos Gitai, Israel/France)

Under the Skin (Jonathan Glazer, UK/USA)

Joe (David Gordon Green, USA)

The Police Officer's Wife (Philip Gröning, Germany)

Parkland (Peter Landesman, USA)

The Wind Rises (Hayao Miyazaki, Japan)

The Unknown Known: The Life and Times of Donald Rumsfeld (Errol Morris, USA)

Night Moves (Kelly Reichardt, USA)

Sacro Gra (Gianfranco Rosi, Italy)

Stray Dogs (Tsai Ming-liang, Chinese Taipei/France)


Space Pirate Captain Harlock (Shinji Aramaki, Japan)

Gravity (Alfonso Cuarón, USA)

Summer '82 — When Zappa Came to Siciliy (Salvo Cuccia, Italy)

Pine Ridge (Anna Eborn, Denmark)

The Armstrong Lie (Alex Gibney, USA)

Redemption (Miguel Gomes, Portugal/Germany/France/Italy)

Ukraine is Not My Brothel (Kitty Green, Australia)

Moebius (Kim Ki-duk, South Korea)

Locke (Steven Knight, UK)

Unforgiven (Lee Sang-il, Japan)

Wolf Creek 2 (Greg McLean, Australia)

Con Il Fiato Sospeso (Costanza Quatriglio, Italy)

Amazonia (Thierry Ragobert, France/Brazil)

Home From Home - Chronicle of a Vision (Edgar Reitz, Germany)

O Sole Minnie (Paul Rudish, Aaron Springer, and Clay Morrow, USA)

The Canyons (Paul Schrader, USA)

Che Strano Chiamarsi Federico - Scola Racconta Fellini (Ettore Scola, Italy)

La Voce Di Berlinguer (Mario Sesti & Teho Teardo, Italy)

Walesa. Man of Hope (Andrzej Wajda & Ewa Brodzka, Poland)

Feng Ai ('Til Madness Do Us Part) (Bing Wang, Hong Kong/France/Japan)

At Berkeley (Frederick Wiseman, USA)


Quello che resta (Valeria Allievi, Italy)

Little Brother (Serik Aprymov, Kazakhstan)

Il terzo tempo (Enrico Maria Artale, Italy)

Je m'appelle Hmmm... (Agnès B., France)

Death for a Unicorn (Riccardo Bernasconi & Francesca Reverdito, Switzerland)

Kush (Shubhashish Bhutiani, India)

Toutes les belles choses (Cécile Bicler, France)

Un Pensiero Kalasnikov (Giorgio Bosisio, Italy/UK)

Eastern Boys (Robin Campillo, France)

Palo Alto (Gia Coppola, USA)

Ruin (Amiel Courtin-Wilson & Michael Cody, Australia)

Aningaaq (Jonas Cuarón, USA)

Blanco (Ignacio Gatica, Argentina)

The Audition (Michael Haussman, Italy)

Fish & Cat (Shahram Mokri, Iran)

We are the Best! (Lukas Moodysson, Sweden/Denmark)

Wolfschildren (Rick Ostermann, Germany)

Houses with Small Windows (Bülent Öztürk, Belgium)

La Vida Después (David Pablos, Mexico)

Algunas Chicas (Santiago Palavecino, Argentina)

Medeas (Andrea Pallaoro, USA/Italy)

Still Life (Uberto Pasolini, UK)

La Gallina (Manel Raga, Spain)

Piccola Patria (Alessandro Rossetto, Italy)

La Prima Neve (Andrea Segre, Italy)

Minesh (Shalin Sirkar, South Africa)

Why Don't You Play in Hell? (Sion Sono, Japan)

Stagnant Water (Xiaowei Wang, China)

The Sacrament (Ti West, USA)

Cold Snap (Leo Woodhead, New Zealand)

Ballkoni (Lendita Zeqiraj, Kosovo)


Le 15 d'août (Chantal Akerman, France, 1973)

Hôtel Monterey (Chantal Akerman, USA/Belgium, 1972)

Little Fugitive (Ray Ashley, Morris Engel, & Ruth Orkin, USA, 1953)

Bread and Chocolate (Franco Brusati, 1974)

Comrades: Almost a Love Story (Peter Ho-Sun Chan, Hong Kong, 1996)

A Bullet for the General (Damiano Damiani, Italy, 1966)

My Darling Clementine (John Ford, USA, 1946)

Sorcerer (William Friedkin, USA, 1977)

My Friend Ivan Lapshin (Aleksey German Sr., Soviet Union, 1984)

Do You Remember Dolly Bell? (Emir Kusturica, Yugoslavia, 1981)

you guys forgot to check pages 2 and 3 of Orizzonti and Out of Competition in the website
also, much better than this year’s Cannes in my opinion
definitely, Salvador
what are you guys looking forward to seeing on the Venetian silver screen? I will make sure to watch your picks, so we can freely argue over a director or two..

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