Photo of Chor Yuen
Photo of Chor Yuen

Chor Yuen

“Looking back, I had made films in many different genres, served in companies of various sizes, and had made the transition from Cantonese to Mandarin films. I most treasure the period at the end of the Cantonese film era, about the time when I made Winter Love and The Prodigal. I was at the age when I was most developed.”

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    INTIMATE CONFESSIONS OF A CHINESE COURTESAN

    CHOR YUEN Hong Kong, 1972

    Supreme studio craftsman Chor Yuen plants one foot in the arthouse, the other in the grindhouse, and delivers a transgressive masterpiece. Forget the salacious title: this breathtaking blend of sexploitation and wuxia melodrama is a ravishing critique of forced prostitution worthy of Mizoguchi.

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