I think Vallée is perhaps the most Québécois of directors. It’s just that with C.R.A.Z.Y. he said everything that he needed to on the subject so that afterward he had to move onwards to new territories. In C.R.A.Z.Y. there’s a very sophisticated use of Québécois French and later in Café he looks at young adult life there that’s too rarely shown in films.
August 18, 2014