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2 420 Ocen

Late Spring

晩春 | Banshun

Reżyseria Yasujirô Ozu
Japonia, 1949


A dutiful daughter remains unmarried in order to care for her aging father. When her aunt tries to arrange a match for her with a handsome student, she resists, until her father tells her he hopes to remarry himself.

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Late Spring Reżyseria Yasujirô Ozu
In Yasujiro Ozu’s 1949 film, rigid formality leaves much unsaid, but Ozu reveals the hidden depths of ordinary life with a quiet astonishment and observes his characters with an exacting subtlety of expression..
March 04, 2016
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Though Ozu would revisit and refine Late Spring’s themes and motifs throughout the final stretch of his career, no other movie speaks more to his ability to invest tremendous emotional weight into the completely quotidian, building to what’s become the single most debated moment in his body of work: A mysterious four-shot sequence that cuts between Noriko’s face and an empty vase, suggesting complex currents of feeling, change, and resignation.
March 03, 2016
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While the master is often said to have deliberately over-rehearsed and micromanaged the feeling out of his actors (not unlike Robert Bresson after him), Late Spring is a testament to the power of perfectly calculated gestures and movements, one so fascinating that it is easy to forget to cry until the very end.
March 02, 2016
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