Beautiful, interesting, incredible cinema.
Death dominates Faina’s consciousness, and therefore the diegesis, both metaphorically and metonymically. Litvinova’s skill as a screenwriter is most apparent in the variety of ways she manages to combine death and her other theme, love, in single images or events.
Death dominates Faina’s consciousness, and therefore the diegesis, both metaphorically and metonymically. Litvinova’s skill as a screenwriter is most apparent in the variety of ways she manages to combine death and her other theme, love, in single images or events.