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Dong

Tsai Ming-liang Republika Chińska, 1998

João Eça's rating of the film The Hole

Tsai obviously rejects emotional cinema, producing instead conceptual forms. The problem is that his ideas about reality are basic, and his films end up being the most boring and empty I've watched since Béla Tarr. The dream sequences, for instance, could have been thought by a child. What we have in this film are bodies, but cinema is about characters and not flesh. After 10 or 20 minutes, no one cares anymore.