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Dong

Tsai Ming-liang Republika Chińska, 1998

Rafael Zen's rating of the film The Hole

A very intuitive cinema emerges when Ming-Liang reaches a creative process that won't stop overflowing daily scenes with apocaliptic gray places. Leaning upon images instead of a propper plot, he develops the mood his storytelling requires: mundane, decadent, lost within its own faith - but grasping for hope in the form of music dream and poetic escapes