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599 Ocen


Reżyseria Steven Soderbergh
Stany Zjednoczone, 2018
Horror, Thriller


A young woman leaves her hometown to escape a troubled past and begin a new job. When she is involuntarily committed to a mental institution she is confronted by her greatest fear – but is it real or just her delusion?

Ten film nie jest aktualnie dostępny na MUBI- w przeciwieństwie do 30-tu innych, wspaniałych filmów, które są teraz dostępne. Znajdziesz je w obecnie wyświetlane.
Unsane Reżyseria Steven Soderbergh
Two tales of imperiled womanhood, both unmistakably colored by their respective time periods. Looking for Mr. Goodbar traffics uneasily in the apparent risks exposed by women’s sexual liberation, while Unsane features a potent one-two punch of toxic masculinity and the current horrors of the American healthcare system.
December 28, 2018
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The warped depth of field, the blooms of light, the uncanny clarity of an HD close-up with little or no makeup—everything that seems “off” befits a smart, creepy little psycho-thriller with plenty of menacingly askew compositions of its own.
December 28, 2018
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Paranoia and grief synthesized into cinema. Neo-exploitation-humanist-anti-capitalist insanity. Genre filmmaking reconfigured for the digital age.
December 28, 2018
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Co mówią ludzie?

  • chanandre's rating of the film Unsane

    [MOTEL/x'18] Soiled with dread and 'what ifs?' my emo dome. Scott Barley's Blues' blues, Fincher's yellows. Carax's woods. Raimi's moods. Cronenberg's paranoias. Lynch's uncomfortableness. That is it for now. (One Flew Over the Cuckoo's Nest for the cuckold porn gen).

  • HenriqueA's rating of the film Unsane

    2.5 - An honest genre experiment. Clare Foy and Soderbergh are a great match. She delivers the goods even when the script is just ludicrous and he makes you forget he's shooting it with a mobile phone. The writing is sometimes awful and sometimes grounded enough for you to keep watching, but all in all it is not the smart b-movie it wants to be.

  • Lights in the Dusk's rating of the film Unsane

    The film succeeds, both as a routine genre assignment & as one of Soderbergh's cycle of experimental projects. Narratively it has the feel of any great B-movie in the Blumhouse tradition, but aesthetically seems much closer to a film like Bubble or The Underneath. Every frame is designed to call attention to itself, mostly through manipulations of colour& composition, while the mood is fittingly stilted & alienating.

  • Huey McEvoy's rating of the film Unsane

    A fascinating exercise in philmmaking, all wide-angle medium close-ups and light blooms. Unfortunately the story falls flat once all ambiguity is removed and the insurance-scam satire loses focus. Foy is magnificent.

  • Bilouaustria's rating of the film Unsane

    Entertaining B-Movie with a terrible script but, hey, you don´t mind about the hard-to-swallow Hitchcock scripts, right ? And Soderbergh makes the most of it with weird camera angles and some interesting cinematography (stop for a second the hype about the iPhone 7 please). Joshua Leonard is pretty creepy, just standing there, i don´t know why. It is a clever film that works somehow (but is not that clever).

  • Duncan Gray's rating of the film Unsane

    Soderbergh uses cheap digital tech to brilliantly disturbing effect: the warping of the image, the blooms of light, the uncanny clarity of raw HD close-ups, the way a static composition can feel like a prison. If you're wondering what today's equivalent of treasured 1950s B-movies would be—so brash, so formally inventive, so trashy in some ways but clever in others—this is it. So grab your phone and get cracking.

  • MATTEO BITTANTI's rating of the film Unsane

    A sui generis update of George Cukor's Gaslight (1944), Unsane is as experimental and avant-garde as Brian De Palma's Redacted (2007) and Mike Figgis' Timecode (2000). It's a movie about cinema (the medium) shot with an iPhone that I watched on a tablet.

  • Palmat's rating of the film Unsane

    Soderbergh delivers an average movie where Foy´s commited performance is his ace-in-the-hole. Had it not been for her the movie would have fallen apart since Soderbergh himself does not manage to generate the thrills or urgency a story like this needs. Sure, there are weighty themes about profit run health care, PTSD and such but we still end up with a tired slasher ending with running and stabbing. Ok but not more.

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