Cannes 2019: Top 10 & Coverage Roundup

A listing of our coverage of the Cannes Film Festival, Directors’ Fortnight, and Critics’ Week, including interviews and favorite films.
Notebook

Cannes

Below you will find an index of our coverage from the Cannes Film Festival, Directors' Fortnight, and Critics' Week in 2019, as well as our favorite films.

AWARDS

TOP 10

1. Parasite (Bong Joon-ho)

2. Liberté (Albert Serra)

3. Jeanne (Joan of Arc, Bruno Dumont)

4. Bacurau (Juliano Dornelles, Kleber Mendonça Filho)

5. Atlantics (Mati Diop)

6. Zombi Child (Bertrand Bonello)

7. A Hidden Life (Terrence Malick)

8. Portrait of a Lady on Fire (Céline Sciamma)

9. The Whistlers (Corneliu Porumboiu)

10. Once Upon a Time in... Hollywood (Quentin Tarantino)


(Contributors: Pedro Emilio Segura Bernal, Ela Bittencourt, Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Adam Cook, Jordan Cronk, Jesse Cumming, Flavia Dima, Leonardo Goi, Daniel Kasman, Roger Koza, Boris Nelepo, Blake Williams)

CORRESPONDENCES

#1 Daniel Kasman previews the festival | Read

#2 Leonardo Goi reviews The Dead Don't Die (Jim Jarmusch), Deerskin (Quentin Dupieux) | Read

#3 Daniel Kasman reviews Bacurau (Kleber Mendonça Filho, Juliano Dornelles), Beanpole (Kantemir Balagov), Atlantics (Mati Diop) | Read

#4 Leonardo Goi reviews Sorry We Missed You (Ken Loach), Les misérables (Ladj Ly), A White, White Day (Hlynur Pálmason) | Read

#5 Daniel Kasman reviews Zombi Child (Bertrand Bonello), Little Joe (Jessica Hausner), First Love (Takashi Miike) | Read

#6 Leonardo Goi reviews Jeanne (Bruno Dumont), The Lighthouse (Robert Eggers) | Read

#7 Daniel Kasman reviews Family Romance, LLC. (Werner Herzog), A Hidden Life (Terrence Malick) | Read

#8 Leonardo Goi reviews Once Upon a Time...in Hollywood (Quentin Tarantino), Dogs Don't Wear Pants (Jukka-Pekka Valkeapää) | Read

#9 Daniel Kasman reviews Lux Æterna (Gaspar Noé), Bong Joon-ho's Parasite | Read

#10 Leonardo Goi reviews Matthias & Maxime (Xavier Dolan), The Invisible Life of Euridice Gusmão (Karim Aïnouz) | Read

#11 Daniel Kasman reviews Liberté (Albert Serra), Tommaso (Abel Ferrara)| Read

#12 Leonardo Goi reviews Pain and Glory (Pedro Almodóvar), Portrait of a Lady on Fire (Céline Sciamma) | Read

#13 Daniel Kasman reviews The Halt (Lav Diaz), The Traitor (Marco Bellocchio) | Read

#14 Leonardo Goi reviews Oh Mercy! (Arnaud Desplechin), The Gangster, The Cop, The Devil (Lee Won-tae) | Read

COVERAGE

The Posters of the Cannes Competition

by Adrian Curry

The Exhaustion of Seducation: Abedellatif Kechiche Pushes the Limits in Mektoub, My Love: Intermezzo

by Quentin Carbonell

INTERVIEWS

Capturing the Divine: Bruno Dumont Discusses Jeanne

by Leonardo Goi

Between Day and Night: Bertrand Bonello Discusses Zombi Child

by Daniel Kasman

“You Create Your Own Freedom”: Abel Ferrara Discusses Tommaso

by Daniel Kasman

Putting Bacurau on the Map: An Interview with Kleber Mendonça Filho and Juliano Dornelles

by Daniel Kasman

Freedom: Albert Serra

by Flavia Dima

Don't miss our latest features and interviews.

Sign up for the Notebook Weekly Edit newsletter.

Tags

CannesCannes 2019Top 10Festival CoverageNewsletter
0
Please sign up to add a new comment.

PREVIOUS FEATURES

@mubinotebook
Notebook is a daily, international film publication. Our mission is to guide film lovers searching, lost or adrift in an overwhelming sea of content. We offer text, images, sounds and video as critical maps, passways and illuminations to the worlds of contemporary and classic film. Notebook is a MUBI publication.

Contact

If you're interested in contributing to Notebook, please see our pitching guidelines. For all other inquiries, contact the editorial team.