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11 dni na obejrzenie
Adaptations
3.9
633 Ocen

Martwy

The Dead

Reżyseria John Huston
Wielka Brytania, Stany Zjednoczone, 1987
Dramat
  • angielski
  • angielski
Adaptations

Opis

A ballad sung at a Twelfth Night party in Ireland reminds one of the guests of the young boy she loved years before.

Nasza opinia

On the birthday of one of Hollywood’s greatest—directors, screenwriters, voices—John Huston, we share his final feature. Never afraid to transform literature into vivid cinema—he took on Hammett, Melville, Kipling, O’Connor, Crane—this is an achingly felt, richly observed adaptation of James Joyce.

Martwy Reżyseria John Huston Oglądaj
Oglądaj pozostało 11 dni

Nagrody i Festiwale

Academy Awards

1988 | 2 wśród nominacji: Best Writing, Screenplay Based on Material from Another Medium

Independent Spirit Awards

1988 | 2 wśród zwycięstw: Best Director

1988 | 3 wśród nominacji: Best Cinematography

Rooted in the concerns and passions of domesticity, the film feels small in scale. In some ways, it serves as a natural chaser to the more grandiose and romantic domestic dramas of classic Hollywood. As a double feature with Vincente Minnelli’s Meet Me in St. Louis or John Ford’s How Green Was My Valley, it would illuminate the beautiful naivety of those visions, reflecting darkly on the souls of the people who might inhabit those period settings.
August 05, 2016
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‘’The Dead’’ is so fine, in unexpected ways, that it almost demands a re-evaluation of Huston’s entire body of work. . . . That Huston should have dared search for the story’s cinema life is astonishing. That he should have found it with such seeming ease is the mark of a master.
December 17, 1987
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The results are leagues ahead of Joseph Strick’s unfortunate Joyce adaptations, but inevitably leagues behind the original story. That said, the film’s concentrated simplicity and purity achieve a kind of perfection… the lilting Irish flavor is virtually decanted, and Fred Murphy’s gliding camera movements are delicately executed. There’s also a rather awesome and unpretentious directness as well as calmness about the way that Huston contemplates his own rapidly approaching death.
October 26, 1987
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