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In Erica Sheu’s fleeting, impressionistic It follows It passes on, post-war family memories of the Taiwanese Kinmen Islands are seen as if through broken glass, summoned by way of incense, ceramics, sand, light, and shadows.
In Erica Sheu’s fleeting, impressionistic It follows It passes on, post-war family memories of the Taiwanese Kinmen Islands are seen as if through broken glass, summoned by way of incense, ceramics, sand, light, and shadows.