WHEN THE SHIFT ENDS

Hilal, who thinks that she started a job in a call center that sells through telemarketing, is faced with an unexpected evaluation at the end of her day by experienced salesperson Pınar.

Erinç Durlanık’s morally sharp, finely observed short film quietly turns workplace proficiency—and the professional masks we wear—into unsettling tension. In this riveting tale of surrender and survival, ideology circulates as a commodity, and emotion becomes a defect to be corrected.