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223 Avaliações

Birds of Passage

Pájaros de verano

Colômbia, Dinamarca, 2018


Unfolding in the Guajira desert in the 1970s, the film follows a Wayuu indigenous family who takes a leading role in the origins of the Colombian marijuana drug trade, discovering the perks of wealth and power, but with a violent and tragic downside.

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Birds of Passage Dirigido por Ciro Guerra, Cristina Gallego
A riot of sound, color and widescreen imagery, courtesy of cinematographer David Gallego (who shot the monochrome Embrace of the Serpent and Rungano Nyoni’s I Am Not A Witch, another apt frame of reference), the insights into the destabilizing impact of outside influences feel both credible and prescient.
February 15, 2019
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The screenwriters’ way of describing this world’s fall from grace due to the lures of money and luxury has the power and inevitability of classic tragedy. It could be Greek or Shakespearean, though it is palpably modern and Colombian.
February 12, 2019
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Parts of the story are narrated by a blind singer — a literally Homeric figure — and the story itself upholds Ezra Pound’s definition of the epic as “a poem containing history.” It’s about how the world changes, about how individual actions and the forces of fate work in concert to bring glory and ruin to a hero and his family.
February 12, 2019
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O que as pessas estão dizendo?

  • Michael H. CLAES's rating of the film Birds of Passage

    It would be reductive to look at this as a prequel to BREAKING BAD or NARCO. But more a reflection on the failure of vendetta, the importance of values, the risks inherent to bad money. === Il serait réducteur de n'y voir qu'un prequel de BREAKING BAD ou NARCO. C'est avant tout une réflexion sur l'inutilité de la vendetta, l'importance des valeurs, les risques inhérents à l'argent mal acquis === A masterpiece.

  • dionysus67's rating of the film Birds of Passage

    This is a dramatically intense, as well as anthropologically revealing, film about the chain of entanglement between tribal rituals, antiquated honor codes, matriarchy and global drug trade. Generally finely acted it has moments of visual flair in the landscape shots; yet its limitation is the oscillation between a crime film and an anthropological essay. It does not fail in any of the two but is no triumph either.

  • OFF_FRAME's rating of the film Birds of Passage

    Really wanted to like this more, being a huge Serpent fan. Things start out promising with daring music and engaging characters before veering into more well-trodden 'gang implodes' territory in the middle, at times edging into unintended caricature. The cultural and ethnographic elements were fascinating but too often sacrificed to the shoe-horning of the more rigid cinematography and staging and posturing. 3 stars

  • MATTEO BITTANTI's rating of the film Birds of Passage

    high brow Narcos, condensed in two hours, with the tamest drug lord ever glimpsed on screen. According to Guerra and Gallego, when it comes to illegal substances, a matriarchy will do just fine. Kids beware: weed is the gateway drug to Scarface.

  • Carlos Filipe Freitas's rating of the film Birds of Passage

    In addition to David Gallego’s delightful cinematography, which captures both luxurious and arid landscapes with the same exuberance, we have enthralling folk music connected to ancient traditions, dreams, allegories, and premonitions in a stylized, hybrid tale of power, love, vendetta, and honor.

  • ig_____or's rating of the film Birds of Passage

    The cinematography is to die for. A very refreshing setting for an otherwise common theme of drug wars and family rivalries. I as expecting the young girl to have more important role, since she was heavily featured on the film's promotional images, but was nevertheless impressed by the film.

  • Jason's rating of the film Birds of Passage

    Guerra and Gallego have followed up what is by all accounts a pretty trippy b&w art film w/ something that at least hints at the commercial (whilst remaining arty). BIRDS OF PASSAGE would seems to capitalize on the current popularity of Latin America-based narco narratives. Fundamentally a film about toxic pride, it represents indigenous communities without resorting excessively to trite mysticism or ethno-pageantry.

  • Andrew Lang's rating of the film Birds of Passage

    Transcendent in places. Loved the first half. But given the director's wish to eschew the way the Colombian drug trade is represented in US movies, I was frustrated that many plot points seemed ripped from American drug movies like Scarface and The Godfather: The good-guy sucked in by greed, the hothead friend, the killing of a brother, the family imploding, the eventual ruin...All familiar

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