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Os Filmes de Krzysztof Zanussi
3.8
619 Avaliações

Mimetismo

Barwy ochronne

Dirigido por Krzysztof Zanussi
Polônia, 1977
Drama
Os Filmes de Krzysztof Zanussi

Sinopse

Um retrato dramático e perversamente subversivo do tenso conflito entre alunos e professores em um curso de verão de linguística. Krzysztof Zanussi oferece uma crítica sutil, mas forte, à política do Partido Comunista e da precariedade do sucesso em uma sociedade socialista.

Nossa opinião

No cinema de Krzysztof Zanussi, materializado e tenso com os debates internos de uma sociedade transformadora, o conflito das gerações polonesas atinge seu ápice neste rico drama erudito de debate. Seus protagonistas com educação universitária estão sob seu microscópio — um microcosmo de uma nação.

Mimetismo Dirigido por Krzysztof Zanussi

Premiações e Festivais

International Film Festival Rotterdam

1978 | Vencedor: Critics Award

New York Film Critics Circle Awards

1981 | Vencedor: Special Award

Polish Film Festival

1977 | 3 vitórias, incluindo: Golden Lion

Opiniões dos críticos

A witty critique of diplomatic niceties in academia, it has numerous wider-world parallels to do with institutional politics in general, and not merely those operating in communist Poland. The first-time viewer might well sympathise with the idealistic young teaching assistant Jarek, but it’s his older, much more worldly colleague Jakub who imparts the most resonant home truths – and who also charts the course of Jarek’s psychological journey with unnerving prescience.
July 03, 2015
Brilliantly staged and flawlessly enacted, Camouflage is, first and foremost, a precisely modulated satire whose abrasive edges continually test our discomfort, as Zanussi puts our understanding of essential facts into question… Thanks to [Zapasiewicz’s] malicious energy, and to Zanussi’s crackling, dry humor, the academic battle of wills and intellects between the two men is animated enough to carry the entire film.
February 01, 2014
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O que as pessas estão dizendo?

  • LibertyCapz's rating of the film Mimetismo

    Definitely my favorite (up until now) of what I've seen of Zanussi's films. The way he takes something as "simple" as the clashing of different moral and sociopolitical philosophies and builds an entire film around that concept makes his films seem so precise and hard hitting. Of what I've seen (just what's been shown on Mubi the last month) it seems his films are mostly dialogue driven, which I'm totally fine with.

  • David Grillo's rating of the film Mimetismo

    Science is how we overcome human faculty.

  • Jason's rating of the film Mimetismo

    What at first struck me as being a kind of comic Trotskyite nightmare of overlapping voices and contention unto naught very quickly began to strike me, despite the obviously unique particulars of time and place, as something much more universal and perhaps even timely. CAMOUFLAGE could almost be repurposed to take place at contemporary Berkley. Cynicism may be sanity in the face microfactionalist dissonance.

  • dionysus67's rating of the film Mimetismo

    Excellent Zanussi specimen. Maybe not so cinematic as other films but definitely compelling in the dissection of value-wars and cultural lags between students-faculty and across the latter. Acted with conviction it discloses the camouflage of materialism in idealism and vice versa. The dramatic 'reconciliation' must, as in all dialectics, involve struggle and the riveting finale conjures it with great force!

  • Bilouaustria's rating of the film Mimetismo

    In comparison with Zanussi´s earlier "The structure of crystals", which offers some similarities (opposition of two scholars, love-hate relationship), the conclusion is bitter : you can not exactly tell who "wins" in the previous one but eight years later, it is clearly cynicism that dominates in Poland. Visually, it is Zanussi´s less captivating work. The way the main character gets broken is interesting though.

  • josé neves's rating of the film Mimetismo

    PC. A film that follows direct and directly its ideological program without making the interruptions or short circuits that the previous ones did or tried to establish. It serves as a discursive anti-stablishment movement but serves little the cinematographic cause, unlike some Zanussi's magnificent earlier and later films. Socialist naturalism. The final two frames recovers the memory of his appellant geometry.

  • Wee Hunk's rating of the film Mimetismo

    It's a bit easy to characterize this as a battle of idealism against cynicism. Cynicism has less to do with the age of the person, and more about a kind of moral laziness. It's more about manipulation. I saw this movie as a battle between the older man trying to use the younger man as a pawn in his games.

  • Mtume Gant's rating of the film Mimetismo

    The first Zanussi I ever watched and it floored me. He takes a radical spin on the cat and mouse genre making it a twisted web of “ethics” that expose our hypocrisies. Grade A stuff.

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