[Byrkit] makes metaphysics, rather than scientific cogency, the film's foundation, content to use Edwin Schrödinger's thought experiment as an engine to explore the alternate self, how every decision is a stepping stone to the here and now. And in spite of the gimmicky concept, the film remains emotionally acute, all the actors convincing as genuine friends prone to bouts of passive aggression, credibly reacting to the frenzied twists the story takes.
Nick Prigge
junho 15, 2014