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IRRESISTÍVEL PAIXÃO

Steven Soderbergh Estados Unidos, 1998
Although conflict is less central to Out Of Sight than in the Ocean’s trilogy, it similarly comes down to treachery versus trickery, with antagonists who represent the antithesis of the movie’s artistry: They are overarmed, greedy, fractious, and don’t know how to take their time. What makes its unlikely love story work is that, like Out Of Sight itself, it’s ultimately about pleasure.
maio 29, 2018
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Library of America
The best film version of a Leonard novel... Psychological time, stop-time, stolen moments as if in plain sight. A movie can do things that words cannot express.
agosto 24, 2016
I didn't believe anything that happened in Out of Sight for a millisecond, but it became clear early on that I wasn't supposed to. Based on an Elmore Leonard novel I haven't read and chock-full of familiar faces--including a couple who aren't credited--the film lives exclusively on generic expectations, not on notions about life or personality that exist independent of other movies.
julho 3, 1998
The New York Daily News
There isn't a character in the large, excellent cast that doesn't emerge with depth and precision.
junho 26, 1998