O Demônio das Onze Horas
Pierrot le fou
Sinopse
Pierrot escapes his bourgeoisie existence by taking to the road with the babysitter, his ex-lover Marianne. Being pursued by foreign thugs, they embark on a haphazard crime spree through the French countryside all the way to the Mediterranean.
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Premiações e Festivais
Cannes Film Festival
2009
Venice Film Festival
1965
BFI London Film Festival
1965 | Vencedor: Sutherland Trophy
Godard once referred to Pierrot le fou as his second “first film,” and its liberated tone, coupled with the rapidity at which it flits from idea to idea, certainly marks a turning point in the filmmaker’s body of work. Yet the doomed romantic pairing at the film’s center provides a solid emotional anchor for the freewheeling mania.
James Slaymaker
November 20, 2017
Like the majority of Godard’s 60s output, plot takes a backseat to style and irreverence in Pierrot Le Fou… By the time Godard shot the film, he and Karina had divorced. The resulting depiction of what Godard called “the last romantic couple” bristles with the filmmaker’s pain and humiliation over the breakup.
A.J. Serrano
March 02, 2016
His 1965 working version of it is very bright, a little anarchic, a soupcon sexy, quite silly, a tiny bit too long. Ferdinand lives up to his nickname—Pierrot the clown is eternally getting dumped. But murder-suicide isn’t the point, we must remember. What fool said there was one?
Elina Alter
December 16, 2015
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