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Alfred Hitchcock Estados Unidos, 1948

Drew Kelly's rating of the film Festim Diabólico

I think the long take idea works really well-the tension implicit in the script is shared in the tension imparted by not making a cut. We are aware of the extra-filmic event of actually filming: when's the cut!? There is no room to breath because of this. Ultimately to talky of a pic for me, but I think if we look at the murder as an allegory for closeted homosexuality, this becomes a more emotionally charged story.