Filmes maravilhosos, interessantes e incríveis.

Veja o que está em exibição

Opiniões dos críticos

UMA RAPARIGA COM SORTE

Frank Tashlin Estados Unidos, 1956
It arranges itself into a kind of altar to youthful abandon and cacophonous modernity. But it is the star-studded line-up of early rock revolutionaries that anchor the film's wholly-self aware, paper-thin plot, and none but Tashlin could capture that antic energy with sufficient pizzaz.
agosto 8, 2018
Ler artigo completo
Mansfield's performance is a charming whirlwind of '50s womanhood so exaggerated and perfect it's hard to believe it ever truly existed. In the title song, Little Richard sings, "She got a lot of what they call the most." Watching Mansfield giggle and strut and command the CinemaScope frame, who could ever argue with that?
junho 17, 2017
Tashlin's story keeps pace with a series of surprises, most notably one ingenious tonal shift that finds Tom home alone and haunted by the ghost of his dead lover as her spectral presence sings "Cry Me a River" from every corner of his barren house. Even in a world of candy-coated imagery, with a majestic frame to show it off, the director reveals human frailty lurking beneath the surface.
março 5, 2015
if Tashlin set out to mock the pop culture of the day, the sheer invention of his postmodern collage ironically reinforces the seismic upheaval of postwar youth, and rock wouldn't seem as daring on film again until A Hard Day's Night.
março 4, 2015
Capsules from Hell!
Tashlin's satire isn't, then, exactly progressive; race and sex are forces to be reckoned with here, but they're alien forces, whereas the white guy's feet never leave the ground. Then again, considering the attributes of the average American film-goer circa 1956, Tashlin deserves a wealth of credit for turning what was likely his primary audience into a limp-fisted cartoon whose shame is arguably greater than his pay-off.
fevereiro 19, 2013