Clare, a young Irish convict woman, bent on revenge for a terrible act of violence a British officer committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
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Kent’s strongest critique of violence—retributive or otherwise—emerges at the moment she abandons her graphic restraint. . . . This subtlety makes Kent’s interrogation of the emotional responses and ethics of audiences all the more successful.