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3.6
145 Avaliações

Viola

Dirigido por Matías Piñeiro
Argentina, 2012
Drama

Sinopse

Young Argentine auteur Matías Piñeiro continues his fascination with Shakespeare in this dazzling riff on Twelfth Night, which launches a host of intersecting characters into a roundelay of dalliances, intrigues and burgeoning revelations.

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Viola Dirigido por Matías Piñeiro
Whereas most filmmakers taking on Shakespeare find inspiration (rightly or wrongly) in his dramas, this modest, sly Argentinean has unlocked the cinematic possibilities of the comedies, reveling in the potential of their artifice to delight and transport us, and even, perhaps, to teach us something, across a span of ages, about living and working in love.
April 01, 2015
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It’s misguided to term the movie you’re about to watch as “Matías Piñeiro’s Viola” or, say, “Viola (Matías Piñeiro, Argentina)” He’s the guide of the movie, the writer-director, but he doesn’t own it. Once written, he gives it over to his actors, a regular ensemble of supremely gifted players mostly trained in theater, and collectively, they make the movie together. Viola, like everything they’ve made before, is a group project with no true author. The auteur theory itself is challenged here.
March 25, 2014
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What [a viewer less open to the film’s nearly free-associative way of thinking] would be missing is the real substance behind Viola’s initially inscrutable array of poetic linkages: the idea that intellectual schemas, logical formulas and habitual modes of interpreting the world are only there to distract us from the inestimable value to be found in “merely” luxuriating in surface pleasures.
July 19, 2013
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