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Noites Brancas

Le notti bianche

Dirigido por Luchino Visconti
França, Itália, 1957
Drama, Romance


In Luchino Visconti’s exquisite Dostoyevsky adaptation, Marcello Mastroianni is a lonely city transplant and Maria Schell is a sheltered girl haunted by a lover’s promise who meet by chance on a canal bridge and begin a tentative romance that entangles them in a web of longing and self-delusion.

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Noites Brancas Dirigido por Luchino Visconti
In his adaptation, Visconti taps into the story’s romanticism, employing an opulent style that builds upon that of his previous film, SENSO (1954), and which anticipates his baroque masterpieces of the 1960s and 70s.
November 30, 2018
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With its setting of dark alleys, deserted canals and random encounters, White Nights may well be Visconti’s ‘gayest’ film – even though it contains no homosexual characters or situations. It is perhaps the most evocative film ever about the gay phenomenon of ‘cruising’ and the nocturnal city as a realm of boundless sexual fantasy.
January 07, 2017
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[In the video essay,] I present single wide shots from White Nights’ sets, overlaid with reflections by Visconti and his cinematographer Giuseppe Rotunno. I then reintroduce audio from Death in Venice’s debate on art to set up the final passage of the video, which moves from the composed, pictorial beauty of Visconti’s mise en scène to the torrid high emotion of his characters.
March 17, 2016
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