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Around the World When You Were My Age

Aya Koretzky Portugal, 2018

Pai e filha se encontram em diferentes épocas, países e memórias neste documentário encantador de Aya Koretzky sobre as aventuras do pai japonês pelo mundo na década de 1970. Enquanto a vida do pai se desenrola à frente da cineasta, vemos como o mundo começou a moldar a vida do jovem décadas antes.


Two Ships

Justine Triet França, 2012

Before her Cannes Competition debut Sibyl, the young French filmmaker Justine Triet (In Bed With Victoria) transitioned from documentary filmmaking with this acclaimed, prizewinning short fiction film: an all-night urban comedy-drama, full of spirit and starring the great Laetitia Dosch.

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O Estrangeiro

Satyajit Ray Índia, 1991

Uma Viagem ao Cinema

Satyajit Ray’s last film, The Stranger is a philosophical work that ponders about the evolution of civilization and human nature. Based on his own short story Athiti, this film comments on the state of the world where the value of material wealth far exceeds that of humanity, trust, and love.

Bird Talk

Xawery Żuławski Polônia, 2019

First Look

Closing our series of highlights from First Look is this urgent and exhilarating political parable, penned by the director’s late father, filmmaker Andrzej Żuławski. An unhinged and reverential tribute to one of cinema’s greatest legends, the film is also a trenchant look at Poland today.


Fritz Lang Alemanha, 1927

Weimar Germany

Easily one of the most iconic films ever made, Fritz Lang’s classic future shock is still thrilling. A propulsive epic and mind-blowing visual symphony, Lang’s deeply influential vision is both the foundation of sci-fi cinema and a time-honored gateway to the expressive wonders of silent film.

Crystal Swan

Darya Zhuk Bielorrússia, 2018


A estreia exuberante da diretora bielorrussa Darya Zhuk pouco se importa com a nostalgia dos anos 1990; em vez disso, está repleta de simpatia vívida, humor irônico e sinceridade. Alina Nasibullina também merece reconhecimento, pois encarna perfeitamente o desejo de uma jovem que quer mudar de vida.

Last Letter

Shunji Iwai China, 2018

Japanese director Shunji Iwai (All About Lily Chou-Chou) heads to China to cast a spell of romance and time in this charming, generation-hopping story of love letters, separation, and loss. Wonderful with actors old and young, Iwai spins a deliriously convoluted story juggling melodrama and comedy.

Take Me Somewhere Nice

Ena Sendijarević Holanda, 2019


Como em todas as grandes jornadas, os personagens da estreia premiada de Ena Sendijarević não serão os mesmos depois dessa aventura. Inspirado em Estranhos no Paraíso de Jarmusch, este filme de estrada estilizado brilha com melancolia de cor pastel, humor balcânico e autodescoberta adolescente.

Cassandro, the Exotico!

Marie Losier França, 2018


Portraiture is central to French-born, New York-based artist Marie Losier’s work. In Cassandro, Losier captures body and soul of the queer luchador with unmitigated warmth and empathy, gorgeously echoing the flamboyance and resilience of her subject with the beguiling physicality of her 16mm images.

Os Espiões

Fritz Lang Alemanha, 1928

Talk about an opening sequence! A fan favorite and the most underrated of Fritz Lang’s Weimar “superfilms,” Spies is a caper for the ages. Predating the adventures of Bond and Tintin, Lang invents the modern spy film: crackling with twists, disguises, gadgetry, narrow escapes, and forbidden love.

Searching Eva

Pia Hellenthal Alemanha, 2019

First Look

Next up in our series of highlights from First Look is Pia Hellenthal’s audacious character study. An unforgettable 21st-century portrait, the film focuses on the elusive Eva, constantly constructing and fully exposing themself on camera and the Internet while, simultaneously, resisting definition.

A Vida é um Milagre

Emir Kusturica Sérvia, 2004

Double Bill: Emir

Probably breaking all of the safety rules that ever existed, Emir Kusturica’s Life Is a Miracle is a zany and surrealist vignette of Yugoslavia on the brink of the Bosnian War. A cacophonous, swirling and drunken celebration, with tinges of tragedy and criticism surrounding the conflict.

Underground - Mentiras de Guerra

Emir Kusturica Jugoslávia, 1995

Opening our double bill of historical fiction from auteur Emir Kusturica is this Palme d’Or winner from 1995. An expansive masterpiece, the film is an exhilarating and absurdist satire, earning its reputation as one of the most controversial yet vital political tales in cinema.

O Homem do Braço de Ouro

Otto Preminger Estados Unidos, 1955

Besides making masterpiece after masterpiece, in the 1950s Austrian emigre auteur Otto Preminger was known for pushing the envelope of American censorship. Try this one on for size: Frank Sinatra as a drug addict! Impeccably fluid filmmaking, a legendary performance, and an unforgettable score.

Nosferatu, o Vampiro

F.W. Murnau Alemanha, 1922

You don’t need sound to be terrified. Off-brand at the time (thus, Nosferatu and not Dracula), F.W. Murnau’s Expressionist masterpiece is now iconic horror. Its spare medieval atmosphere and Max Schreck’s iconic, otherworldly vampire seems to get increasingly eerie and disturbing as the film ages.

Love in the Buff

Pang Ho-Cheung Hong Kong, RAE da China, 2012

Fueled by its easygoing lead actors, director Pang Ho-Cheung strikes the perfect balance between humor and melodrama in this charming love story. Depicting a glossy Beijing rife with young professional singles, the film is also a universal look at modern dating in all of its virtues and faults.


Anna Eborn Suécia, 2019

First Look

Continuing our series of highlights from First Look is this candid look at the unfettered virtues of youth. Shot on handheld 16mm and rendered through the generous participation of its subjects, the film tracks the end of adolescence through its intimate lens and gorgeous soundtrack.

O Parque Macabro

Herk Harvey Estados Unidos, 1962

An influence on David Lynch, George A. Romero, and Lucrecia Martel (!) this lone feature film from Herk Harvey is a bona fide cult classic of both independent filmmaking and psychological horror. An atmospheric and unsettling, haunting ghost story, innovatively shot—on a shoestring budget.

The Fall

Jonathan Glazer Reino Unido, 2019

Breves Encontros

Neste filme sinistro, Jonathan Glazer reduz a caça ao homem de Sob a Pele a uma alegoria infernal de violência social. Rostos congelados, um poço numa floresta escura, fúria primitiva e uma trilha sonora assustadora de Mica Levi revelam uma versão cinematográfica de “The Lottery” de Shirley Jackson.

Boi Neon

Gabriel Mascaro Brasil, 2015

Neon Bull captures the world of Brazil’s vaquejada rodeo tradition through a sensual, intimate, and realist style—finding grace in the mundane, unearthing tenderness within the bestial. The human is never far from the animal in this meditative, scintillating slice-of-life portrait of a community.

A Gaia Ciência

Jean-Luc Godard França, 1969

Between 1960 and 1969, Godard made 17(!) features in a great burst of radical creativity. Le gai savoir, his final film of the 60s, is a work of pared-down invention and subversive pop montage, in which two beguiling icons of the New Wave (Jean-Pierre Léaud and Juliet Berto) take center stage.

De Caligari a Hitler

Rüdiger Suchsland Alemanha, 2014

The cornerstone of our series on cinema from Weimar Germany is Rüdiger Suchsland’s sweeping documentary. Visualizing Siegfried Kracauer’s influential book from 1947, the film uses beautiful restorations of films by Lang, Murnau, and others to contextualize the period and showcase its masterpieces.

Estrela do Norte

Lewis Milestone Estados Unidos, 1943

A pro-Soviet Goldwyn production, Lewis Milestone’s Oscar-nominated invasion drama is truly one-of-a-kind: a song-filled war film set in a besieged Ukrainian farming village inhabited by Anne Baxter, Dana Andrews, and Walter Huston. With cinematography by James Wong Howe and music by Aaron Copeland!


Jean-Marie Straub Alemanha, 1992


Temos o prazer de retomar nossa retrospectiva de Straub e Huillet com uma nova restauração de um dos dramas mais acessíveis e intensos da dupla. Servindo como um veículo notável da era antiga de Sófocles até o presente, Antígona oferece uma nova visão do poder feminino que confronta o patriarcado.


Michaël Andrianaly Madagascar, 2019

First Look

We’re partnering with the Museum of the Moving Image to offer highlights from First Look, starting with an intimate portrait of a barber in Madagascar offering patrons an empathetic ear. The film lends its subject similar warmth, gradually revealing personal challenges and issues facing the nation.

O Último dos Homens

F.W. Murnau Alemanha, 1924

We begin a new series devoted to masterpieces of the short-lived Weimar Republic with a dazzling and groundbreaking drama of modern city life. Emil Jannings delivers one of cinema’s most indelible of performances, and F.W. Murnau (Sunrise, Faust) gives the story its full range of tragedy and beauty.


Kantemir Balagov Rússia, 2019

MUBI Spotlight

Depois do chocante e poderoso Closeness, mal podíamos esperar pelo segundo filme de Kantemir Balagov. Beanpole capturou nossa atenção: uma imersão fascinante na agitação do pós-guerra e uma ode à resiliência feminina, com grandes atuações e um magnífico uso de cores.

O Maoísta

Jean-Luc Godard França, 1967

It’s time for a revolution! Inaugurating New Wave icon Jean-Luc Godard’s overtly political cinema, La chinoise is both prelude and prophecy of May ’68. A molotov cocktail of raw Maoism, pop colors, savage satire, and the romantic timelessness of Anne Wiazemsky and Jean-Pierre Léaud.

A Russian Youth

Alexander Zolotukhin Rússia, 2019


Como vimos com Kantemir Balagov, o mestre Aleksandr Sokurov agora orienta uma nova geração de talentosos cineastas russos. Misturando uma história da 1ª Guerra Mundial com ensaios de orquestra contemporânea, a estreia de Zolotukhin é impressionante: um filme de outra era e ao mesmo tempo precursor.

Dead Souls (Part 3)

Wang Bing França, 2018

Uma conclusão pessoal e dolorosa ao seu triunfo monumental de dez anos dividido em três partes, Dead Souls e seu “cinema de testemunho” (visto anteriormente em Fengming, A Chinese Memoir e The Ditch) confirma o documentarista Wang Bing como um dos cineastas mais importantes da nossa época.