Um advogado seduz uma mulher casada e passa a noite com ela. Na manhã seguinte, o marido dela chega no escritório do advogado para confessar sua própria infidelidade.

Critics in 1936 didn’t know what to make of Sacha Guitry’s wild formal experiments. 85 years later, what was once deemed “theatrical” now feels like a rush of dazzling cinematic invention. An effervescent mix of movement and monologue, we’ll still be playing catch-up with this one 85 years hence.