Green’s regular cinematographer, Tim Orr, brings to the exteriors his characteristically ripe, rich palette. Less predictable is the way the apparently squalid interiors compete in this aesthetic beauty contest. Sunlight blasts through coloured curtains, drenching one room in a brothel a lush orange, the next a ridiculous pink that tickles the eye. Divisions between external and internal, home and nature, are being eroded subtly.
July 25, 2014