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4.3
279 Note

Parasite

기생충 / Gisaengchoong

Regizat de Bong Joon-ho
Coreea de Sud, 2019
Dramă, Thriller

Sinopsis

All unemployed, Ki-taek’s family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.

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Parasite Regizat de Bong Joon-ho

Recenzii ale criticilor

Bong, who seemed pleased with the film’s reception, said that for the first time he felt that he was not simply working in established genres but that he had found his own form. I agree, and so must have the jury. The decision to award the Palme to Parasite was unanimous.
July 01, 2019
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A vivid work of behaviorist cinema, seeing what people do under specific circumstances in a specific environment.
May 23, 2019
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As always with Bong’s films, the devil is in the detail, of which no spoilers here, except to say that it’s a wicked ride.
May 23, 2019
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Ce spun cinefilii?

  • OFF_FRAME's rating of the film Parasite

    Parasite starts off meshing the loveable rogue character aesthetic of The Handmaiden with Koreeda's Shoplifters before taking a most welcome and masterful tumble down into the basement and head-on into a searing teardown of class, consumerism and notions of poverty. The toilet scene spewing filth is absolutely ridiculous yet manages to hit a tonal bullseye. 5 stars

  • Andhika Eka Buana's rating of the film Parasite

    Many has already said it and I am just gonna be a broken record about it: PARASITE is Bong Joon-ho magnum opus. His best film to date. Insanely unpredictable, oftentimes hilarious. In a David Ehrlich two movies combination palette manner, it’s Hirokazu Kore-Eda’s DOGTOOTH.

  • Michael H. CLAES's rating of the film Parasite

    1789 FRENCH REVOLUTION, KOREAN VERSION. The virtuoso camera of JOON-HO details a class struggle that turns into a no limit chaotic massacre. We pass, on an awesome soundtrack, from cream pie comedy to the wildest savagery.=== La caméra virtuose de JOON-HO détaille une lutte des classes qui vire au jeu de massacre. On passe, sur une bande-son époustouflante, de la comédie tarte à la crème au chaos et à la sauvagerie.

  • Not A Sexy Vampire's rating of the film Parasite

    At the end, the woman who runs my film club turned to me and said that was one of the best things she'd ever seen. It's hard to disagree. Joon-Ho's film is a delicious evisceration of class, privilege and violence. Just when you think it's going one way, it turns into something completely different. So many metaphors, so many detailed characters but best to go in blind so no spoilers! I will say, watch La Ceremonie.

  • johmus's rating of the film Parasite

    A very strong observational story about the sociology of two very different families and the relationships between and inside them. PARASITE is both a critique of the capitalist system that keeps expanding the divide between the highest and lowest stratas of society and a study about what it takes to survive in this system and how can one keep their humanity intact at the sight of success. A holistic view on life.

  • Rininta Irientantya's rating of the film Parasite

    It does give you a glimpse of the social class gap in South Korea. However, it’s like the usual plot twist storyline that I used to watch in the Korean drama plotlines. It is a good movie and shall give the non-Korean drama watchers understands the creativity of the directors that was born and raised there :)

  • keremebrulee's rating of the film Parasite

    This movie is certainly a great accomplishment for its directing, amazing cinematography and editing. Every visual element seems to be perfectly placed and used to its maximum value. Despite this visual perfection and a quite thrilling story, the film as a whole fails to ignite deep emotions in the viewer. Maybe it is due to it being too visually sterile, it almost feels like too much.

  • NCMBianchi's rating of the film Parasite

    [More like 4.5] Amazing work only slightly overshadowed by Bong's masterpiece "Memories of murder". He still manages to effectively show social issues indirectly, plus adding a very well oiled comedic side. The characters are well built and well developed in every scene and their struggles and/or reactions always make sense. I was touched by yet another great example of the use of passing of time (here hypotethical).

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