One day, some eventual day in the years, decades, and centuries to come, scholars of the quaint 1980s will see this film as a piece of propaganda by the bourgeoisie for the bourgeoisie to excuse themselves of the rampant abuse and psychosis that they inflicted on others and themselves. Here is a film so self-centered, selfish, stupid, and shuddersome that it has to be seen to be believed and archived for history.
Not a good movie, but an entertaining one, and it bears noting that Kevin is me. Just straight up me. Joel Schumacher went to the future and tracked my life and was like "I want to make this guy a character in a movie, which I will go back to the '80s to make," and then he did that. Seems like a convoluted way to write a character but we cannot attempt to comprehend the workings of the mind behind "Batman and Robin."
Quite a mess and it doesn't do a good job hitting on its theme of college graduates being graduated. It honestly could've been set in high school or middle school and it would've been (almost) the same exact thing. I mean, it's pretty obvious Joel Schumacher's the director.
Demi Moore plays one of the most over-the-top characters ever, either croaking about her dying "step-monster" in every scene, or saying some of the most asinine things not even the most moronic Real Housewife would say. It was hard to take anything in this film seriously. Andrew McCarthy was pretty good though.
After seeing the "Breakfast Club" I was anxious to see more from the era and from the brat-pack. When I stumbled upon this I was happy to be greeted by the "pack" once again, but sadly in much less than what the "Breakfast Club' was. The flow of the story was messy and it was hard to be drawn to any one character's side in the battle for independence. Good reunion, but sad entry into the pack's collection.
"What a night, we all drive into town/ Where we'll park our cars, and meet the rest of our friends/ At a place that's called, I forget what it's called/ But it's really great, and all our friends will be there" (Sparks, 'Popularity')