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4.4
8.007 Note

Patimile Ioanei D'Arc

La passion de Jeanne d'Arc

Regizat de Carl Theodor Dreyer
Franța, 1928
Dramă, Biografie, Istorie

Sinopsis

On trial for claiming she’d spoken to God, Jeanne d’Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment will earn her perpetual martyrdom.

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Patimile Ioanei D'Arc Regizat de Carl Theodor Dreyer
Jeanne d’Arc seamlessly blended the stylistic traits of the great artistic film movements of the 1920s, German Expressionism, French Impressionism, and Soviet Montage and made something new and unique of them.
December 28, 2018
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With almost every camera mounted on tracks, topsy-turvy pans that glide like guillotine blades, and a montage accelerated by a spinning torture wheel, Dreyer’s arsenal of visual abstractions . . . in large part places the movie on a continuum with Léger and Murphy’s landmark film, with Kirsanoff’s Ménilmontant (1926), and with the early masterpieces by Jean Epstein and Sergei Eisenstein. The Passion of Joan of Arc is, finally, a storm, an ordeal that relentlessly tests a martyr’s devotion.
November 22, 2017
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The intensity of Falconetti’s performance is all but unparalleled. (The only equivalent in silent cinema that comes to mind are Lillian Gish’s solo scenes in Victor Sjostrom’s 1928 melodrama “The Wind.”) Cast wildly against type (Falconetti had been known for light romantic roles), she embodies a spiritual anguish worthy of a medieval Pietà. Eyes widened and miraculously capable of dropping a single tear, her Joan is dazed yet resolute.
November 22, 2017
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