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413 Note

The Pearl Button

El botón de nácar

Regizat de Patricio Guzmán
Franța, Chile, 2015


The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures.

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The Pearl Button Regizat de Patricio Guzmán
Conquest of indigenous people is Chile’s original sin and one cannot approach the country’s history without addressing the invasions, wars, and massacres that shaped the Spanish colony and then independent nation. The film takes its time introducing the genocide of the maritime Selk’nam people, and even longer for Pinochet’s regime. By the end of his introductory meditations, however, water, ancient indigenous history, and language seem necessary to fully comprehend these tragedies.
December 22, 2016
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The film is filled with breathtaking footage of the water, ice and islands of Patagonia, but in one remarkable scene Guzman asks an artist to create a giant map, a room-sized paper cutout of Chile, because he has never actually seen his country in one piece: There is no room for a land this long on the classroom wall.
April 08, 2016
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Guzmán finds new methods of excavation and new ways in which to combine found materials, the manifest metaphor—the dialogue within and between in his films—ultimately exemplifying that when correlations are causations, in time’s current and Guzman’s body of work, nothing ever really ends.
April 06, 2016
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