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4.4
554 Note

The Story of the Last Chrysanthemums

残菊物語 | Zangiku monogatari

Regizat de Kenji Mizoguchi
Japonia, 1939
Dramă, Dragoste

Sinopsis

In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father’s heir, and that the troupe complains how bad he is behind his back.

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The Story of the Last Chrysanthemums Regizat de Kenji Mizoguchi
A masterpiece in the literal sense of the word—the proof that Mizoguchi could stand alongside the best directors in history as an artistic equal. The film is something of a cinematic manifesto, a depiction of the long apprenticeship, hard knocks, bitter rivalries, and personal agonies from which an artistic breakthrough is made.
January 31, 2017
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The film lingers in the memory as a suite of long-shot long takes – Kiku and Otoku cutting and enjoying watermelon slices together in more innocent times, Kiku grovelling at the side of Otoku’s deathbed when, far too late, they’ve been given permission to marry – unfolding at the speed of life. You can find echoes in the New Taiwanese Cinema and elsewhere, but to call it a ‘precursor’ to anything would be reductive; The Story of the Last Chrysanthemum simply is.
November 04, 2016
What distinguishes The Story of the Last Chrysanthemum, however, is the assertiveness of its stylistic deployments. In this prototypical Mizoguchian tale of lifelong female sacrifice in the male-dominated arena of kabuki theatre, camera placements are often so eccentric that we’re compelled to acknowledge the directorial decision-making irrespective of how it’s supporting the story.
September 15, 2016
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