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Regisserad av Bernardo Bertolucci
Italien, Frankrike, 1976
Drama, Historisk


Set in the countryside of the Province of Emilia in Italy, the story of two men, one a bastard born into a family of farm workers, the other an heir to a wealthy family of landowners.

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1900 Regisserad av Bernardo Bertolucci


It is a mark of Bertolucci’s rapid rise that the movie, made when he was only 35, could feel like a kind of summation, a sprawling work unpacking the full measure of his talent, boasting lyric moments in an enchanted wood that recall Pre-Raphaelite Brotherhood canvases, fired throughout by a sense of political desperation that suggests he might have been the only filmmaker who could properly tackle Zola’s Germinal.
January 02, 2019
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One of the most exuberantly “go for broke” pictures in all of cinema, and it was dependent on the lusciousness of Vittorio Storaro’s cinematography and on the boldness of a young Robert De Niro, who agreed to do a very graphic three-way sex scene.
November 26, 2018
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I’ve seen many people enraptured by the first four hours bail during this final act . . . These sequences are indeed tough to watch . . . But here’s the thing: Nothing like this actually happened . . . Bertolucci has acknowledged that he’s indulging in a bit of historical fantasy here. More than that, he is putting himself on trial, exploding his elegant historical epic to do so. It is to this day one of the most impressive and beautiful acts of cinematic self-annihilation I’ve ever seen.
November 22, 2017
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Vad säger folk?

  • tidal waif's rating of the film 1900

    very picturesque, pointing at many painting techniques, the film is like a long walk through a museum, it did in the 70s what "girl with a pearl earring" did 30 years later: tried to find in the landscape the natural occurences of colours and hazes that determined a whole national painting school. but despite its beauty, at the end you feel like you've only peeped into an academist collection: pretty but empty.

  • josé neves's rating of the film 1900

    DCP, Il Cinema Ritrovato's 4k restoration, rewatched, re-rating. This striving attempt to make an epic and communist manifesto clashes with cinephile memory and finds Lancaster in a whimsical but supposedly representative role, evocative of "Il Gattopardo", along with other stars of the cinematographic firmament, all ridiculous - even Laura Betti! Is what it is: an immense tautology of expository signs.

  • Richmond Hill's rating of the film 1900

    A tongue-tied beast of a film that whispers the greatest of themes despite a running time that should accommodate all and then some. Most of the best moments are those of great visual beauty but these are isolated by ugly tonal swings, clumsy polemic and pitifully thin characterisation. There is wheat amongst the chafe and it does linger in the mind if only for the sweep of its potential not it’s spluttered reality.

  • petit astronaute's rating of the film 1900

    (1.5 | 35mm) o olhar de Bertolucci é um aborrecimento, impondo a sua futilidade e apaixonando os impressionáveis. Não tirou nenhum ensinamento do neorrealismo italiano, que lhe pouparia a alguns embaraços, como por exemplo o casting de merda, excepto Depardieu, talvez, e as mamas e os pénis. Não há nada de revolucionário neste filme que se compraz consigo mesmo. Mesmo assim, a última hora é menos sofrível.

  • joey Noodles's rating of the film 1900

    In my 'perfect' films list, which currently contains 4 films. De Niro, Depardieu, Sutherland and Sanda (whose performance reminded me of Sharon Stone in Casino) were flawless. Bertolucci is fantastic. Storaro is my favoruite cinematographer and pulls off what may be his best work here. Morricone's score is my favourite of all time, and the story is beautiful. AMAZING 5 STARS

  • Checkpoint Charlie's rating of the film 1900

    I think the depravity of Sutherland's Attila was more of a personal characterization used to explore the "anarchy of power", an idea best expressed by Pasolini (a predecessor and mentor to Bertolucci) in his film Salo. Attila's sadistic and Machiavellian aspects become more apparent when the fascism of Italy becomes more predominant, allowing him to further express these sides of himself.

  • Ethan's rating of the film 1900

    This is one epic ass movie. Despite its long as fuck running time, this film moves pretty smoothly and DeNiro and Depardieu are in top form here and Donald Sutherland is at his most psychotic.

  • Allan's rating of the film 1900

    oh so very very overlong and baggy, really bad dubbing, uniformly awful dialog, an awful lot of terrible acting (with the exception of Sutherland, Lancaster, Hayden and Valli - everyone else, rubbish).. at least it looked fantastic and had rather good enough politics, that's really the best I can say, oh and for a 5 hour long film it wasn't very boring..

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