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En duva satt på en gren och funderade på tillvaron

Regisserad av Roy Andersson
Sverige, Norge, 2014
Komedi, Drama


Sam and Jonathan, a pair of hapless novelty salesmen, take us on a kaleidoscopic tour of the human condition, unfolding in absurdist episodes: a sing-along at a 1940s beer hall, a randy flamenco teacher, a thirsty King Charles XII of Sweden en route to battle, and more slices of reality and fantasy.

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En duva satt på en gren och funderade på tillvaron Regisserad av Roy Andersson
Strangely enough, even though none of the three films is very cheerful, Andersson’s trilogy triggered optimism in my heart and in my mind. What exactly causes that, I don’t know. But I do know that the Swedish director has created a very effective trilogy about us, the living, hearing songs from the second floor all the while we sit on a bench reflecting on existence.
September 11, 2017
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The final film in Roy Andersson’s human condition trilogy is droll, sad, deep, each shot meticulously composed, as in the director’s signature style, like a multi-layered painting.
December 18, 2015
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Anderson’s modus operandi takes advantage of the dialectic between the stillness of the tableau and movement within the frame, and this dialectic is highlighted by means of the actors’ deadpan performative style. The film’s staging is reminiscent of what Jean Mitry calls “painterly theatricality,” which according to David Bordwell was a European tradition that privileged shot composition at the expense of narrative continuity.
September 15, 2015
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