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Omslagsflickan

Cover Girl

Regisserad av Charles Vidor
USA, 1944
Komedi, Musikal, Romantisk

Synopsis

Rusty Parker, a red-headed leggy dancer at Danny McGuire’s Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a ‘Cover Girl’ as a stepping-stone in her career.

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Omslagsflickan Regisserad av Charles Vidor

Utmärkelser & festivaler

Academy Awards

1945 | Vinnare: Best Music, Scoring of a Musical Picture

1945 | 4 nomineringar inklusive: Best Cinematography, Color

Kritiker-recensioner

1940s musicals have this reputation as sterling exemplars of Dream Factory razzle-dazzle. But some of them suck. A case in point is this wisp of wartime fluff from Columbia . . . The songs, a few of which hark back to vaudeville, are all second-rate. The gowns, lavish in Technicolor, amount to a dollop of visual pleasure amid a charmless love story.
November 06, 2017
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Charles Vidor’s COVER GIRL is one of those films that’s arguably more interesting as a genesis for its players than as a film in its own right. That’s not to say that it’s a bad film, just that it’s more compelling when viewed as a stepping-stone rather than as a golden platform. Critics at the time largely agreed with this assessment despite the film’s popularity and eventual status as the second highest grossing musical of 1944.
June 27, 2014
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