Emerging from the same cross-contaminated genre swamp as Let the Corpses Tan, Mandy achieves its goals with blunter and larger instruments, which is all the better, because where Corpses fails, Mandy succeeds. If Corpses was a music video, Mandy is a whole doom-metal opera in poisonous Technicolor, with an album cover depicting a landscape of magenta, indigo, and golden-yellow ruins.
A. S. Hamrah
December 17, 2018