That [producer/songwriter Arthur Freed's] vision resulted in movies like Cabin in the Sky , Meet Me in St. Louis, On the Town, An American in Paris, Singin' in the Rain, The Band Wagon, and Gigi, should remind us of the malleability of the term authorship in cinema... There's no better—or trickier—place to start than Meet Me in St. Louis, one of the most naggingly perfect of all American movies, and the film that is generally considered the first true blossoming of director Minnelli's genius.
Michael Koresky
October 26, 2015