Beautiful, interesting, incredible cinema.
After recovering decaying 35mm footage from an unfinished 1980s film by the ‘Messiah of Philippine Cinema’, John Torres shot new footage and interviews to complete the portrait of a tormented young actress in a film that echoes not only its own troubled production but also the fate of the nation.
After recovering decaying 35mm footage from an unfinished 1980s film by the ‘Messiah of Philippine Cinema’, John Torres shot new footage and interviews to complete the portrait of a tormented young actress in a film that echoes not only its own troubled production but also the fate of the nation.