Schlöndorff has expressed the hope that the term director’s cut will soon be forgotten and that this longer version will simply become the standard. In whatever version it is shown, however, The Tin Drum is surely its director’s masterpiece—a truly disarming film that, taking its cue from William Blake, could be called an essay on both innocence and experience, on childlike idealism and a very adult depravity.
Geoffrey Macnab
January 15, 2013