László Krasznahorkai fotoğrafı
László Krasznahorkai fotoğrafı

László Krasznahorkai

“In daily life – if you are in a bar, and if you drink with somebody – your friend, your acquaintance, an unknown person who speaks, who tells you something – he wants or she wants to tell this something very, very much, because we all have only one sentence, and we are looking for this sentence where we have some power to say something, for one sentence, in one life we have only one sentence and everybody in a bar or in a school or in a university or everywhere, in the street are looking for their own sentence, and this man or this woman doesn't look for a pause, for this artificial, very easily understandable kind of sentence, no, he or she always uses always very, very long, fluent word combinations – this is very fragile, but fluent, you can't cut it...”

Gösterimdeki Filmler

    ŞEYTAN TANGOSU

    Béla Tarr Macaristan, 1994

    This exquisite restoration of Hungarian maestro Béla Tarr’s magnum opus has been a long time coming. Shot in languorous, extended takes and riven with mordant humour, Sátántangó is a pungent, Beckettian epic of the human condition. Don’t let the running time put you off, this is essential cinema.

    LANET

    Béla Tarr Macaristan, 1988

    Six years before his magnum opus Sátántangó, Hungarian maestro Béla Tarr joined forces with writer László Krasznahorkai for this masterful cosmic burlesque. A noir-inflected tale of betrayal and revenge, Damnation is a perversely powerful plunge into the wretched depths of the human soul.

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