“I like to record the lines, directing the actors in the search for the personality that I imagine for each figure and every moment. Thus, they already start from a good sound interpretation to give life to the movements. The voice already carries the impression of the movements that it will have. The cool thing is that the actor's involvement contributes a lot to the visual performance. And it does not always work out. It is not enough to act well, the voice needs to match the stroke, the form.”