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17.183 Puanlama

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Yönetmen Federico Fellini
Italya, Fransa, 1963
Drama, Fantezi, Komedi


Yetenekli bir yönetmenin yeni projesi hayatı ile birlikte etrafında çözülüyor. İlham arayışı onu birçok tuhaf ve dönemeçli yollara götürüyor. Yapılmış en iyi filmlerden biri olarak bilinen eser, bir adamın sanatsal krizini sinemanın büyük bir destanına dönüştürüyor.

Sekiz Bucuk Yönetmen Federico Fellini

Ödüller ve Festivaller

Academy Awards

1964 | 2 ödül: Best Costume Design, Black-and-White

1964 | 3 dalda aday: Best Director

In many ways, 8½ defined what modern cinema is. I feel its influence all over the place. It’s expressionistic, and it’s also a film that describes the feelings of confusion that we are all dealing with living in the modern world. All the signs and symbols are messed up, and everything is subjective. It’s like some aspect of cinema reached a limit in this film, and I don’t know how it can be surpassed.
June 01, 2018
Yazının tamamını oku
As Fellini noted, “what I should like most is that 8 ½ should help banish the neurotic complexes that obsess people who want to change others. I think people should be taken as they are. If the film restored this sense of freedom, then it succeeded”. And in this, 8 ½ succeeds admirably, as a document of personal liberation for its director, and a document of the triumph of the human creative spirit for its audience.
January 07, 2017
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Federico Fellini’s two biggest smash hits were both filmed in black-and-white. But we recall La Dolce Vita as black — the chic night of the Via Veneto. And we recall 8½ as white — the clouds through which the film’s hero floats in the opening dream sequence; the steam room billowing at his spa; the blown-out sunshine blinding his stone courtyards. 8½ is the ethereal one.
May 01, 2015
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