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1.980 Puanlama

Baby Driver

Yönetmen Edgar Wright
Birlesik Krallik, ABD, 2017
Aksiyon, Suç, Gerilim

Özet

After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

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Baby Driver Yönetmen Edgar Wright

Ödüller & Festivaller

Academy Awards

2018 | 3 dalda aday: Best Film Editing

SXSW Film Festival

2017 | 1 ödül: Audience Award

Indiewire Critics' Poll

2016 | 1 dalda aday: Most Anticipated of 2017

National Board of Review

2017 | 1 ödül: Top Film

For this unhip viewer, who preferred a stodgy Emily Dickinson biopic to this totally awesome genre flick, the whole thing veers from bad to unforgivable in the romantic subplot involving the beautiful waitress (Lily James) who may or may not have an inner life but nevertheless falls head over heels for the in-every-way-uninteresting Baby, and who stands by her man despite hell, high water, or years of imprisonment.
January 08, 2018
Bütün yazıyı oku
It’s finally most apt that Wright’s final image returns to fantasy realised as a reunited Baby and Debora drive off in a roadster, pop cinema and pop music returning back to the roots on some dusty southern back road. It might not prove the best film of the year, and yet Baby Driver left me with the feeling that it might well be the only one they’ll be teaching in film schools in twenty years.
September 26, 2017
Bütün yazıyı oku
While it might be too simplistic to say that Wright generates the technical pyrotechnics and Pegg supplies the soul, the flaws of Baby Driver hint that this equation roughly adds up… Its greatest liability is its screenplay: the filmmaker’s first-ever fully solo effort in this area. Baby Driver is so poorly written on levels of plot, characterization and (especially) dialogue that Wright’s typically first-rate craftsmanship fails to save it—and, in context, even becomes its own source of annoyance.
August 24, 2017
Bütün yazıyı oku

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