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3.3
407 Puanlama

Creepy

Kurîpî: Itsuwari no rinjin

Yönetmen Kiyoshi Kurosawa
Japonya, 2016
Korku, Gizem

Özet

A year after a botched hostage negotiation with a serial killer turned deadly, ex-detective Koichi and his wife move into a new house with a deeply strange new neighbor. His old cop colleagues come calling for his help on a mysterious case, which may be related to the strange goings-on next door.

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Creepy Yönetmen Kiyoshi Kurosawa
The fantastique is everywhere these days, far beyond its usual, cozy berth within the horror genre – supernatural premises have invaded even the homeliest TV event-series, and ghosts of all stripes are ubiquitous across story modes. Kurosawa, over both cinema and TV, holds to his well-honed manner of downplaying outright fantasy/horror elements in order to dwell within the uncanny and unsettling, the realm of the slightly ‘off’ – and Creepy is among his most ingeniously constructed contraptions.
December 22, 2017
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It could have fallen into the conventions of the standard thriller, but Kurosawa transcends the premise by rejecting psychological realism. Driven by irrationality, the movie ends up connecting its dots, both narratively and conceptually, through the recurrent high-angle shot of a blind alley—society as a mouse-trap—as Kurosawa disposes of the fallacy of social peace by obliterating the notion of narrative logic.
March 03, 2017
That Creepy comes so close to being a standard police procedural/boogeyman narrative makes its grace notes all the more striking. Director Kiyoshi Kurosawa uses genre trappings as window dressing—basically, as a vehicle to get to the uncanny.
January 06, 2017
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