Expands considerably Kawabata's beautiful tale, making explicit its emotional undercurrents. Anyone who's watched enough old Japanese movies knows the youths here (including a very young, lovely Tanaka Kinuyo) won't find happiness, but it's handled with skill by Gosho: The young man embraces a rock wall because he can't embrace the girl he loves. The ship pulls away, leaving only Tanaka with the heartbroken face.
A superb example from 1930s Japanese cinema, indicative of the ample talent and craftmanship in cinematography of auteurs like Gosho. Here, the tale of doomed love takes recourse to young Tanaka's striking versatility of expression. Around her and the handsome student Gosho builds a miniature of Japanese morals, which his camera explores in multiple ways: pristine close-ups, lyrical medium shots and elegant pans.
Most likely the best of at least half-a-dozen adaptations of Kawabata's sublime and elegiac short story about innocent love. It adds heft to the work by expanding on its sociopolitical context. Gosho inundates it further with warmth and lyricism. Kinuyo Tanaka, already one of the biggest stars in the country, is simply superb here, especially in the symbol-laden final sequence. A masterpiece!