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Eleştirmen yorumları
Olivier Assayas Fransa, 2002
It’s gripping and provocative, making effective use of actor Charles Berling and the music of Sonic Youth, though I wish it were a little less indebted to David Cronenberg’s Videodrome. 
September 26, 2003
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It’s an exasperating, irresistible, must-see mess of a movie about life in the modern world and so very good that even when its story finally crashes and burns the filmmaking remains unscathed.
September 19, 2003
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A shiny, wireless perpetual-motion machine, forever in flux as if to stave off obsolescence, Olivier Assayas’s demonlover makes other present-day movies look like moldering period pieces.
September 16, 2003
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At its best, French writer-director Olivier Assayas’ gorgeous muddle recalls Nicolas Roeg’s 1976 science-fiction masterpiece The Man Who Fell To Earth, another self-consciously arty film that gets lost in ill-defined corporate intrigue, yet gains in mood what it forfeits in coherency.
September 15, 2003
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