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3.2
199 Puanlama

Diamantino

Portekiz, Fransa, 2018
Komedi, Fantezi, Avangart

Özet

Diamantino, the world’s premiere soccer star loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius.

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Diamantino Yönetmen Gabriel Abrantes, Daniel Schmidt
The tone of affectionate wiseassery that marks the film may be a take-it-or-leave-it proposition, though how any skeptic can hold out past the moment where Diamantino blows a kiss, then proceeds to ‘juggle’ it on his body is quite beyond me.
October 23, 2018
Bütün yazıyı oku
To say any more would ruin the dizzy charm of this film’s endlessly antic, weirdly relevant plot.
October 03, 2018
Bütün yazıyı oku
Pitched halfway between the candy-coloured nihilism of Richard Kelly’s Southland Tales (2006) and the absurdist hijinks of queer classics by John Waters, Abrantes and Schmidt’s genre- (and gender-) bending film takes place in a 2018 dystopia where everything— decadence and poverty, mass migration and high-stakes football—is reduced to formal values like colour, texture, and tone.
September 04, 2018
Bütün yazıyı oku

İnsanlar ne diyor?

  • chanandre's rating of the film Diamantino

    [UCI EL Corte] (Did Abrantes get in touch with Cristiano Ronaldo?Just wondering here...) 'Tive uma epifania. fania? mas qual fania?' Harmony Korine meets João César Monteiro with dashes of Miguel Gomes. We're lucky we have this guy in Portugal atm. 'Quero um 'fugiadinho pode ser do Canadá'>LOL. Cleo Tavares is shining bright and Anabela+Margarida Moreira as the ficticious Aveiro's sisters were hysterical. <3

  • josé neves's rating of the film Diamantino

    Cinema. Here is the trick: do not deny an experience made under the idea of an audiovisual modernity. If we join it, we are contemporaries, with the consequent hype as a reward, if not, poor us! A false publicity of a political instrumentation, which appears somewhere in the film, is indistinguishable from everything else.Why? Because its language is a mindlessly one. Carloto Cotta is its major victim.

  • saitosouta's rating of the film Diamantino

    Its bar was so high because this movie is that fanatically eccentric GABRIEL ABRANTES’ film. But, although full of untame imagination and insane critique, “Diamantino” is a tragically tame, totally uninsane mess, distorted by bovine editing, verbose narration and drastic lack of rambanctious passion. Does it means Abrantes is a short-distance runner, not long-distance runner? Oh so sad. Unbelievable ordinariness.

  • Endless Eye's rating of the film Diamantino

    The plot reads like a William Burroughs cut-up and plays out like a mash-up of surrealist pop-culture ideas. The end result might not feel totally fulfilling, but it is refreshing to witness a sort of free-form unfolding of random thoughts in a dreamlike state.

  • Daniel Roque's rating of the film Diamantino

    A Elma e a Kátia estão on point, mas a omissão da Dona Dolores é o maior crime que este filme cometeu.

  • ig_____or's rating of the film Diamantino

    Fora-da-caixa, fora-da-divisão, fora-da-casa, fora-da-rua, fora-do-país... Divertido e destemido, "Diamantino" faz um malabarismo imprevisto entre a sátira, o romance, o thriller, a ficção científica, e outros sub-géneros cinematográficos aos quais pisca o olho sem se comprometer com nenhum deles. Um absoluto 'alien' no contexto do cinema português. Para quando um spin-off com as gémeas Natasha e Sónia Matamouros?!

  • Jason's rating of the film Diamantino

    Pretty much an unassailable rule of thumb: if you have a whole lot of imagination and are on a budget, you had better have serious ingenuity. DIAMANTINO is about as big a canvas as they come when meager resources are involved. I don't suspect home viewing will give spectators anything quite like the experience I had seeing this hilarious and gorgeous DIY epic on a big, big screen w/ fully immersive sound. A delight.

  • Diogo Pires's rating of the film Diamantino

    é o tipo de objecto artístico que pode cair tanto no ridículo de mau como no ridículo que é bom, e DIAMANTINO parece situar-se precisamente no topo desse muro - é delirante, sentimental, "gozão" mas sobretudo diferente e soube posicionar-se sem descambar (totalmente) para nenhuma das marés, lendo bem o público e o estado das coisas, ainda que com muito (muito) por onde percorrer e explorar.

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