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410 Puanlama

La luna

Italya, ABD, 1979


While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

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La luna Yönetmen Bernardo Bertolucci

Ödüller ve Festivaller

Golden Globes (USA)

1980 | 1 dalda aday: Best Actress in a Motion Picture - Drama

Italian National Syndicate of Film Journalists

1980 | 1 ödül: Best Supporting Actor

The years have been kind to it. I continue to be struck by its heated, expressive ambition, its willingness to be indulgent and beautiful and deeply, deeply unpleasant. Luna seduces and repels you at the same time. It’s a film about the silences and cruelties between people, but it explodes with color, music, and movement.
April 21, 2016
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Channelling a Viscontian elegance, Bernardo Bertolucci probes the allure of bourgeois excess to its core of perverse desire—and ultimately suggests that it’s made of frustrated dreams of normalcy. He gives Jill Clayburgh what may be her most extravagant role, as Caterina, a suddenly widowed New York opera singer who, in frenetic mourning, flees to Rome with her adolescent son, Joe (Matthew Barry).
April 15, 2016
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Luna, decidedly shocking, lurid, and unsavory as it can be, is not so easily dismissed as “monstrous, cheap, vulgar rubbish,” as a horrified Andrei Tarkovsky once termed it . . . [Cinematographer Vittorio Storaro] is perhaps more careful and measured than his director, lending a sort of tangibility to Bertolucci’s often oblique, contradictory emotional ranges with a diurnal, hot/cold vacillation of colors and uncannily precise mise-en-scene.
July 27, 2011
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