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A choreography of geometric forms – bright, curved or rounded – pulse towards the centre of the screen, one at a time, against a dark background. Consisting of 10.000 separately coloured images, Ruttmann’s “Opus 1” is considered the first fully abstract, ‘absolute’, cinematic work.
A choreography of geometric forms – bright, curved or rounded – pulse towards the centre of the screen, one at a time, against a dark background. Consisting of 10.000 separately coloured images, Ruttmann’s “Opus 1” is considered the first fully abstract, ‘absolute’, cinematic work.