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Broughton’s first film (1948) and his most complex and substantial. Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends.
Broughton’s first film (1948) and his most complex and substantial. Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends.