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MUTUAL APPRECIATION

Andrew Bujalski ABD, 2005
The film captures the uncertainties and anxieties about the future that linger beneath the surface of twenty-something individuals in a resolute and resonant manner, making for a film that is as much a generational reflection as it is a well-written and highly engaging piece of cinema driven largely by naturalistic conversations.
Temmuz 1, 2019
Yazının tamamını oku
A cast gifted at offhand delivery and squirmingly funny body language brings Bujalski's smart script vividly to life. Good with women, as always, Bujalski puts his most insightful and forthright character Ellie, the center of a tentative romantic triangle, at the center of the movie as well. The dialogue sounds improvised, thanks to Bujalski's deftness at capturing that millennial way of talking that manages to be both self-effacingly diffident and disarmingly direct.
Mayıs 27, 2015
The unvarnished actors, including Bujalski as the pal who's unsure of whether he's being betrayed or not, could not be better.
Mayıs 31, 2011
``Funny Ha Ha" was about a stalled 20-something and her romantic entanglements. (The woman who played her, Kate Dollenmayer, has a too-small part here.) ``Mutual Appreciation" is the second chapter in what seems like Bujalski's statement about people trying to find the right words as they move toward adulthood and negotiating their fears of commitment of any kind -- to a job, a person, or a complete thought.
Eylül 13, 2006
One of Bujalski's gifts is his ability to give every part, no matter how big or small, a sense of intelligence and life that extends beyond the frame and running time, and in this his work recalls the best of both Mike Leigh and Richard Linklater.
Eylül 1, 2006
The New York Times
If Mr. Bujalski has learned anything from Cassavetes, it's that films should be about life, not death, fashion or virtuosity, and that there are few more meaningful subjects for art and for personal expression than other people.
Eylül 1, 2006
Solipsistic as it (and its future-forestalling trio) may occasionally be, Bujalski's sharp sophomore effort—courtesy of its perceptive, heartfelt humanism—ultimately makes such self-infatuation more infectious than off-putting.
Ağustos 29, 2006
Youth-film protagonists typically act as if they're living in a movie. Bujalski's appear to be trapped between parentheses. More fascinating than his borderline tiresome characters is Bujalski's knack for constructing narrative and characterization out of a smartly edited array of seemingly improvised performances and an apparently aimless succession of uninflected moments.
Ağustos 22, 2006