Birbirinden güzel, heyecanlı, inanılmaz filmler.
Upon entering the installation of Anri Sala’s “Now I see (2004)”, his first 35-mm film, the viewer is enveloped in total darkness. The effect is, at first, purposefully disorienting; then a flicker of light flashes upon a 10 × 12 foot screen.
Upon entering the installation of Anri Sala’s “Now I see (2004)”, his first 35-mm film, the viewer is enveloped in total darkness. The effect is, at first, purposefully disorienting; then a flicker of light flashes upon a 10 × 12 foot screen.